Steven is left alone to go trick-or-treating on Halloween for the first time. As the night unravels, Steve finds himself trapped in a terror he may never escape.
The flash fiction short story contest winner of Writing Bad’s 2020 Flash Fiction Labor Day Contest. “A Grandfather’s Clock,” by Eddie Vegas.
I can’t tell you how to write your short stories. That you’ll have to learn through all the other means available. But if you write short stories that are written well and have something to say creatively, then I may be able to help you get over the next hurdle of getting your short story published.
Some bitch took a chunk out of Anderson’s throat, and we had to get the fuck out the village before we all ended up dead. Yeah, sure, you could blame the sickness. As if the […]
Writer’s block. Every writer has dealt with it at some point (Stephen King claims he hasn’t but I’m calling bull), and it can be a huge deterrent when it comes to expressing yourself and getting your stories out. I will touch on some of the main issues that cause writer’s block, but the focus of this article is to explain how to push past the block and to go over the strategies I’ve personally found to be beneficial to me.
It may be the salty aired beach or a long-ago molten path on a dormant volcano that brings us into the story, and the main characters who introduce themselves and take the reader by the hand for the journey. However, without secondary characters, the story wouldn’t get far. Main characters can’t be everywhere at once, even though they are the main focus in stories. There’s no way for them to gain every tidbit of knowledge they need without the help of their comrades. That’s why writers should never forget the importance of creating and casting unforgettable secondary characters.
All writers have experienced the first draft blues. The idea for the story came to us in a flurry of inspiration; the characters sauntered through our door, greeting us with their riveting personalities. Yet, as we sat down to write the story, the sentences stumbled and clanked together in an oafish web of prose. Too many writers have sat and stared at these first drafts thinking themselves too unskilled to give justice to their stories and characters. Yet, with only six simple steps writers everywhere can begin writing with style today.
It is a common fallacy that stories are driven by plot. The truth is, the stories that last are the ones driven by character. They’re the ones where we’ve become so attached to the characters over the years, that we simply can’t let them go, rather we continue to re-imagine these characters over and over again. Huckleberry Finn, Holden Caulfield, Randle Patrick McMurphy-these characters are unforgettable, their traits carved into the memory of all readers who’ve met them, just as if they had walked through the door and shook the reader’s hand. These characters breathe and bleed upon the pages as the reader follows their stories in anticipation of what will become of them. How did their writers do it? What exactly is the perfect recipe for a character that bleeds?
“The first draft of anything is shit.” – Ernest Hemingway
It didn’t take long for me to realize that my first draft sucked with a capital “S.” Halfway through chapter one, I wanted to take it out back and beat it with a hockey stick for wasting my time. I’d like to say this feeling dissipated as I got further along, that my confidence grew word by word, sentence by sentence. But I’d hate to lie to you. The truth is that I became more sure of the inevitable failure looming ahead of me, blocking my path to success.
If you expect everyone to see colors the way you envision them while you’re writing, then you may be disappointed. I may refer to blood as crimson while you think of it more as a ruby red. You may think the sky a soft Carolina blue, while I would paint the sky with a tint of periwinkle. While this may not seem a huge issue, it can complicate how your reader perceives your work.