Writer’s block. Every writer has dealt with it at some point (Stephen King claims he hasn’t but I’m calling bull), and it can be a huge deterrent when it comes to expressing yourself and getting your stories out. I will touch on some of the main issues that cause writer’s block, but the focus of this article is to explain how to push past the block and to go over the strategies I’ve personally found to be beneficial to me. (more…)
All writers have experienced the first draft blues. The idea for the story came to us in a flurry of inspiration; the characters sauntered through our door, greeting us with their riveting personalities. Yet, as we sat down to write the story, the sentences stumbled and clanked together in an oafish web of prose. Too many writers have sat and stared at these first drafts thinking themselves too unskilled to give justice to their stories and characters. Yet, with only six simple steps writers everywhere can begin writing with style today. (more…)
“The first draft of anything is shit.” – Ernest Hemingway
It didn’t take long for me to realize that my first draft sucked with a capital “S.” Halfway through chapter one, I wanted to take it out back and beat it with a hockey stick for wasting my time. I’d like to say this feeling dissipated as I got further along, that my confidence grew word by word, sentence by sentence. But I’d hate to lie to you. The truth is that I became more sure of the inevitable failure looming ahead of me, blocking my path to success. (more…)
If you expect everyone to see colors the way you envision them while you’re writing, then you may be disappointed. I may refer to blood as crimson while you think of it more as a ruby red. You may think the sky a soft Carolina blue, while I would paint the sky with a tint of periwinkle. While this may not seem a huge issue, it can complicate how your reader perceives your work. (more…)
When it comes to grammar, writers tend to divide into two separate groups: the grammar police, known to frantically run down those guilty of petty grammatical crimes, and the grammar hippies, who believe that creativity shouldn’t be stifled by the archaic rules of English professors long dead. Personally, I fall somewhere in between. I have been known to obsessively scour my writing for grammatical errors and to proudly pinpoint mistakes discovered in novels or on corporate websites, and other times, I recklessly break all the rules. Writing is an art, and with any art, there are times to scribble within the lines and then there are times to push the boundaries. So, how does a writer know which rules to break and when to break them?